Monday 12 January 2015

Unit 3 - 2:2 Apply an understanding of a range of contextual parameters to support own creative development.





Unit 3 - 2:2   Apply an understanding of a range of contextual parameters to support own creative development.

For this you need to understand ‘Contextual’ and ‘Parameters’ and relate it to your own work. When you start to plan and make your own work after having done your research. You must identify the context in which you’re about to produce your images. You must demonstrate that if you’re working within a certain context that you understand, how it’s made, the characteristics, the equipment, conventions and why it’s fit for purpose.

Context – This relates to a situation in which photography sits/works/is used/exists. (see here).

You need to identify within your research that you understand in the first instance the type of photography it is you’re looking at (research). What kind of photography is it? How is it used where will it be seen, has it been used in a different way/context before?

Basics – What kind of photography is it? What makes it that kind of photography and at what point does it merge with another type of photography and become something different?

For instance…

What would this image be used for, where would it be seen and how could it be used? (These are all issues relating to the context in which the image could be used).
Is it…
·         Art Photography
·         Editorial Photography
·         Social portraiture
·         Propaganda
How could this image be used? Ask those ‘What if’ questions, don’t offer straight descriptive answers – question its use, back it up with analysis of the image.

Apply this questioning approach to your work at the ‘Initial response’ stage and during the in-depth summary stage of your research.

Contextual Parameters – “A limit or boundary which defines the scope of a particular process or activity: the parameters within which the media work”.

This relates to limits and boundaries that define the characteristics of differing types of photography. If for instance you say that this work is ‘Editorial work’ you need to understand that this type of photography is often commissioned on spec or on very limited budgets. Therefore if you were to make work specifically for this purpose, you would be limited by those budgets, you would use certain cameras, the production values would be limited, the use in the short term; specific and dictated by commercial conventions… Model releases, rights of use documentation etc. You need to show that you understand these parameters by way of demonstrating knowledge of the context.

Image used by Ed Drew http://eddrew.com/