Tuesday, 3 November 2026

Plans - 2nd year standard Unit 5 and 6

AO2 –  Produce a self‑initiated project proposal A sophisticated project proposal stating creative intentions and plans for implementation is imaginatively presented and thoroughly informs and directs practical and theoretical investigations

 

The Proposal (Key Points)_________________________________________________________

Use the prompts as advised by UAL your lecturer will give you the headings and guidance.

 

The key thing is to make a start on the work and allow I to come together and develop. Mid-way through the project you’ll be far clearer what your objective is in terms of your idea/concept and what it is you’re rationale is. At that point start to fill these sections in.

 

Fill as much of the details in as you can.

 

Fill in the weekly plan at the end of each week.

Fill in the Bibliography as you go. This has to include hard-copy and be Harvard Referenced.

 

Plans and Intentions (For individual shoots_________________________________________

Each shoot needs to have detailed and comprehensive plans. The plans allow you to showcase your technical knowledge and the clarity of your idea and its connections with purpose, meaning, concept, clients and audience.

 

Key components that should be seen in the shoot plans…

 

What or who it is your taking pictures of.

 

What it is you’re aiming to get better at and improve (Technical or conceptual) testing, experimenting or trying.

 

What equipment, materials you’re using and why they are appropriate in this scenario.

 

How you’re going to use the equipment and material, how you’re setting them up and why and why this is appropriate.

 

The key thing you’re taking from your research – use an image and make the connection with the image. Each developmental shoot should have at least a single image for this purpose, ideally a mini – research with the links used added to your bibliography in your proposal.

 

Concept & problems You have to be clear about your idea and why you’re producing the work.

o   There should be a clear indication of who the typical client would be for the work you’re producing. This clarifies the purpose of your images.

o   Clear details of who the images are intended to appeal to e.g. the audience. This should include demographic details.

o   The purpose of the images, what kind of photography it is what it’s intention is… Selling a product/lifestyle, informing and teaching, illustrating, promoting, antagonising and provoking.

o   Details of the vibe/mood/feel of the images you’re aiming to produce and how you’re going to do this through the use of visual language tools, application of materials, equipment, techniques and processes and the problems and solution that arise.

 

Practical problem and their solutions 2 or 3 examples of practical issues that might arise and what you’d do in the event that if they did.

 

Who else is on the shoot models (Go-see pictures) model details, model releases. Make-up artists, assistants etc.

Equipment list and check-lists

Booking forms for studio and the details relating to the booking process.