Thursday, 25 September 2025

The Creative Process Task

Stage 5: Our creative process Post activity Reflections 

*Note this very similar to the post research reflection - but far more detailed. 

Read through 'Stage 5' and explain this stage in your own writing - do not copy and paste. 

Stage 5 is one of the most important sections within your work when you're producing your own self-directed work. After half-term your activities will be divided up into... 

(a). In-class activities, where I'll teaching you directly the basics of shooting images using available light on location with DSLR cameras. These activities will be uploaded and saved in your S&K design sheet as they are technical exercises.

(b). Will be a self-directed project which will probably be shot outside of college featuring people you choose for your subject matter. 

This work will be structured using the creative process. You'll (1). Research 2 Photographers. (2) You'll produce a Post research reflection.  (3). You'll write a plan for your first shoot. (4). You'll execute the shoot e.g. take the pictures and upload them to your power-point. Then you'll reach Stage 5...

The Post activity Reflection 

This is where you follow these prompts here... 

(1). What happened? - This only needs to be a very basic explanation made up of about 2 sentences.

(2). How do I feel it went? Similarly this only needs to be a couple of sentences and is usually an emotive response... I was unsure/confused/apprehensive/confident/optimistic/nervous out of my comfort zone etc.

(3). What was good/bad? Again a few sentences, highlighting in basic terms 2 good things and 1 negative aspect to the activity/work.

(4). Analysis; This is the important bit. The Key here is not to describe the obvious and things that we can see in your images and annotations. 

This is where you have to critically un-pick what you have done and explain the value of doing the work. Every-time you do this, you should consider you're on this course with the intention of becoming a professional photographer, therefore any new learning, any advancement in knowledge or skills has value and this needs to be explained in your analysis. Other things you should do each time you do this - is look at your work and compare it with the work of professionals - how does it compare? Is it anything like as good as the work of professional photographers? Make a case one way of the other. Another thing to look at and explain is the purpose of the images... how could they be used, what sort of images are they? Are they stock images, editorial, art photography, where might these types of images be seen, who might the client be, what demographic group does the client belong to? What are the images trying to convey in terms of meaning, message or narrative? Does one single image tell the story on its own, or do you need to see the whole set of images to understand what the story is? With all these considerations - are your images fit for purpose? 

Draw some conclusions based on your analysis using these prompts - how can you improve your images, what will you do next to improve your work - are the issues - technical issues relating to poor lighting and poor camera work, or is that the images are simply not fit for purpose? 

The idea is you're ruthlessly self-critical and come up with solutions to improve your work through this process or self-reflection. 

The Task - Explain the above in your own words - show that you understand what reflective practice is and its purpose and where it sits in the creative process. 

_________________________________________________________Stage 4: Our creative process Execution (The doing part).

So, you researched a Photographer or two, reflected on your research and made sense of it  and how it informs your work and you've written a plan; Now you Execute your plan, you shoot your first set of images. 

In photography when we're learning or producing big projects we do so over a series of 'Shoots' sometimes referred to as test shoots or developmental shoots. Later in the course, you'll be given projects to undertake over several weeks where you'll have to shoot and re-shoot, each time planning each stage and reflecting on the results. Using this process you'll improve and refine your techniques, ideas, making more informed decisions about your images, developing your skills and ideas. 

This first shoot is usually an opportunity to do something basic and quick, trying and testing things out to see how easy or hard it's going to be to get the results and quality you're striving for. In many situations and you can do these initial shoots using your phone just to explore your ideas, location, whether your model is going to be any good, or looks right for your pictures. It just needs to be basic in order to start your project and should be done ASAP, potentially as soon as you've figured out an idea - mid research possibly?

You should shoot plenty of images and experiment with ideas, angles, poses, models, focal lengths, viewpoints and subjects. For each of these shoots you should look to shoot a minimum of around 50-60 images.

You should also do wide shots of where you're shooting - showing the environment and the light source. If you're working with others - models, assistants, make-up artists etc, these should be photographed too. Also identify the equipment and camera you're using along with what you've done in terms of H&S for yourself and others you're working with, this is evidenced in your work through a combination of images and explanations. 







The image here above shows a decay project using dead plants as the theme for 'Decay' and shows the development over 3 stages from an initial idea shot on a phone on white paper in a very basic way developed over 3 stages. This approximates a very basic approach where each stage results in 2 pages of work. This would be a minimum requirement and isn't an exhaustive example. 

Stage 3: Our creative process Planning

Re-cap; We always start with stage 1 - Research. This should be done within a few days. This is followed by a reflection where you reflect on the usefulness of your research. We follow that with Stage 3... a Plan also referred to as a proposal.

You need to explain in your work that a key part of most of the creative or design processes is a plan whereby you explain what you're going to do and how you'll do it, where it's going to happen, when you'll do it by, where you'll do it and what resources you'll need. In Photography this is quite detailed and specific see this link here... 

Level 3 Photography resources: Writing plans for Photo-Shoots


Stage 2: Our creative process. Reflection 

Start this part of this work by researching "What is reflective practice"? Look at the definition and write up your own definition of it.

Once you've written the definition and have some sense what the purpose of reflective practice is reflect on the first deadpan shoot...

Each time you produce a significant body of work such as a photo-shoot, this has to be reflected on and made sense of. Use these prompts here... 

(1). What happened? - This only needs to be a very basic explanation made up of about 2 sentences.

(2). How do I feel it went? Similarly this only needs to be a couple of sentences and is usually an emotive response... I was unsure/confused/apprehensive/confident/optimistic/nervous out of my comfort zone etc.

(3). What was good/bad? Again a few sentences, highlighting in basic terms 2 good things and 1 negative aspect to the activity/work.

Then in (4) Analysis (The detailed section) You have to discuss and identify what you actually learned and identify things that went wrong and explain why this may have happened and what you'll do to get it right next time. For instance everyone was given the instructions to compose the images in a specific way, see the image below...

The instructions were - crop the image just above the head and just below the hands. Now look at your images and others in the class and see if you've followed the instructions. What happened, why did you all get it so catastrophically wrong with the exception of 2 people? Analyse why you got it so wrong and explain what you'll do to get this right next time? 

Discuss the 'Objectivity' aspect of your images- did you get this right (All of you did). Explain what makes the images objective, what design element decisions were made to ensure the images are objective? How do these images you've shot, differ from the approach you would have adopted if left to your own devices? 




What do you make of the lighting used? Maybe reflect on the quality of the light and it’s impact on the image in terms of being objective. Is the lighting dramatic or neutral – how does this work in terms of making the images more ‘Objective’?

It’s in your reflections where you analyse what you’ve done and demonstrate your understanding of how and why things come together in the way that you would have planned. 




____________________________________________________________________


Stage 1 For this task you have to produce a body of work that demonstrates that you are wholly aware of the idea that when producing Photographic work you do so within a structured framework. This is known widely as The Creative Process and has a number of components or stages that you have to show you're aware of. Furthermore, your work needs to be produced within a creative process and through this project you will be introduced to the creative process that we recommend you use on this course. 


Create a new Powerpoint and name it... Your Name - The Creative Process. 

  • Create a title page "The Creative Process" have your name on the title page too.
  • The 2nd page - Using Google images search 'The Creative Process' and use a range of these images of the different types of Creative Process fill the page. 


















The 3rd section

  • Look at some of the websites read the explanations of the creative process and write your own explanation in your own words.
  • Identify 4 components of these processes that are consistently seen and describe them. *Create a bibliography of the links you use for this work. 
The 4th section

In your own words, combining your own ideas and any further research that you do, explain what research is in conjunction with a photographic project. (Refer to the Bechers research you're currently doing and this post here that has an over-view of how to produce your research work https://ualphoto.blogspot.com/2025/09/research-guidance.html ).



What types of details need to be included in the research?
At what stage would the research need to be done? 
What are the key components of a research project?
What's the recommended balance between text and images? 
What resources are best for research. List them in order of preference and produce descriptions of them with explanations why some are better than others. 
  • Books
  • Journals
  • Interviews with practitioners
  • Galleries
  • Exhibitions
  • Youtube videos
  • Websites
The 5th section

Write descriptions of the following types of research 

Secondary research
Primary research 
Empirical research

Stage 1 - Research OUR PROCESS

 Stipulates that in order to be a knowledgeable practitioner we must be constantly looking at Photography and reading about with a focus on contemporary and historic photographers. We should acknowledge that some resources are superior than others - Journals, books, in-depth videos, national galleries, exhibitions, and websites provided by larger art organisations. These sources of information enable us to look at a range of ideas and work and merge ideas to form potentially new ideas.

At the start of any significant work that we produce we need to produce research into associated photography to use as a launch pad for our own work, to seek alternative or associated ideas and learn from skilled and creative practitioners. 

 







Wednesday, 24 September 2025

Research Guidance

 

The research work for each of the tasks differs from task to task. The Pinhole project done over the summer would have given you a good grounding in how to go about putting together a good research project.

First page example 

The basic requirement is you produce a page of images associated with the work you've been directed to look at or you have chosen to look at yourself. Photography is produced as sets of images, so be aware that it maybe you're researching a specific set or series of images rather than examples of all of the photographers work. 

*The example here uses a painter rather than a photographer, but it's exactly the same approach that is required.

This should take 20-30 minutes to produce using Google images. (Use links from better websites to start to form your bibliography as you collate the images). 

Bibliography 

*Make sure you collate a Bibliography and use quotes within your work. The Quotes need to be identified as quotes by using  Italics/different coloured text, indent and speech marks. They also need to be  cross referenced with their source in the bibliography. 




Second page example 

Following the image page/slide. You then need to show that you have researched and identified the following..

Fill this 2nd page up with images and annotations that help to reinforce (Visually) the ways that the photographer make a living through their photography. This should include visual evidence (Images) of the following (See the link here).(1). The operational context of the images; e.g. what have they been produced for - what purpose do they serve, where would they typically be seen? Are they images that have been produced for a 'Personal project' driven by the photographer or have they been commissioned by a client?

Where do these images appear - where are they seen how are they used? Explain the operational context in terms of its genre. (See link here). Level 3 Photography resources: Types of Photographic Practice

(2). If they've been commissioned by a client/s who is the client. Explain what the clients does and how the photography is used. Where is it seen? 

(3). Audience and Users. Who consumes/uses this photography, who are the people that it appeals to - how do they use it, why does it grab their attention and why is it of interest to them. Explain the audience in terms of demographic indicators... Age, ethnicity, class, sex, socio-economic status, education, interests?

(4). Progression value. Looking at the work and what you've learned through doing the research - how does it fit into your progression goals, why is of value to you as an aspiring photographic practitioner? What are the key take-aways in terms of your own practice and knowledge? 

*You can fill up the page with general research about the photographer, images of the photographer and them in action with their cameras/equipment. (This is the least important part). 

The 3rd Page Example

The 3rd page is the visual language analysis. *Use the bold titles in your own work and write your content below the headings. 

 This is where you focus on one image and produce an analytical response to the image, analysing the visual content (Kylie Minogue lesson). 

Typically this would include your own observations of aspects such...

Meaning/message/narrative, analysing whether the image works on it's own or whether it's a part of a series of images and lacks context if seen in isolation. Part of this analysis might include discussing whether it works in terms of the formula... Person + background + symbol + involvement if the image features a person.

Operational context; Is it apparent from the one image what type of image it is and its purpose? Explain how when looking at the image you know it's an image that suits that context. For instance what makes an image a fashion image, or what make an Art Image/photo what it is - how can you tell? 

Composition: How has the image been composed? Is the composition conventional - adhering to the Rule of thirds - discuss and make observations. 

Colour/Black and white: Analyse whether the image would be read differently if colour or B&W - what impact would it make if this was changed? Is colour or tone being used to bring attention to key elements in the image.

Props: Are props used in the image, what impact do these have on the reading of the image? 

Body language/facial expressions/Poses: What role do facial expressions, poses and body language play in creating narrative? 

Lighting: How is the light being used? What type of light is it - discuss in terms of whether it's point or diffuse light, whether the light is the correct colour or is there a 'Colour cast' if so,  is this intentional and how does it impact on the reading of the image? Discuss the light in terms of it being Objective or Subjective - is the light being used to create drama or the opposite - why? 

Use a floor plan lighting diagram to explain your analysis of the lighting - is this knowledge of use to you and your own ideas/development? 

Location/background: Examine the background (BG) how does it link to the subject, what does it suggest? Does it help to tell the story or suggest things about the main subject/person. Is colour used and what does the colour suggest with regards the narrative of the image. 

Depth of field/Shutter speed: What camera techniques have been used in terms of depth of field (DoF) or shutter speeds. What do these do to the image to enhance it or create narrative? 

View-point: What impact does the viewpoint have. Is the viewpoint neutral e.g. the camera is at eye-level or is the photograph shot looking down or up at the model/subject - what impact does this have on the person/subject. What is the Photographers suggesting by adopting this approach? 

Line: How is line and shape used in the image (You may have mentioned this in the composition section). Are there leading lines drawing your attention to elements within the image, are there frames within frames - people standing in doorways and similar creating a frame within the frame of the photo? 

Type of Photography Genre: Use this prompt to demonstrate that you've done enough research so that you have fully understood the research you've done so that you're able to explain the features and characteristics of the type of photography... What defines it as that type? 

Quotes: If your research is detailed you might find analysis written by others or the photographers explanations of how these visual components are used in their work. Use these as quotes in your work. 

"Quotes should be easily recognisable from your own written work by using a different colour text, copied and made italics with the use of speech marks. Additionally they should be cross-referenced with their source in the bibliography by the use of numbers. The number should appear at the end of the quote like this and also appear along side the link from you've copied the quote" (2)

https://ualphoto.blogspot.com/2025/09/research-guidance.html  (2)

 Once you've completed the 3 pages if it ends up looking anywhere near this below, you'll probably be working at a very high standard...